As I wandered the con floor talking to people, by far the most often asked question was “What are you working on?” Looking back, I’m not sure I gave any of them the same answer.
Just how do I answer that when my productivity is in the shitter?
On the up side, the publisher meeting on Friday went well. On the down side, I’m still sans artiste and don’t see that changing any time soon unless I am able to cough up a page rate (which, sadly, I am not). I did get two pitches to the publisher in time, but with the artist situation being what it is, at least one of those pitches may become a prose project.
Then it’s a matter of cramming that prose project into my others. I’ve got a book sold to a good small press publisher, but he’s dealing with some family matters and there’s no telling when the book will be out. Top Secret Novella is also slated to go his way, but I’ve struck it several times and have yet to report any real progress on it.
Das Tödliche Geschlecht has been released on an unsuspecting German market, and I’ve been interviewed for a major German horror magazine called Virus. The publisher has already asked to see my next novel, and based on my present experience with them, I intend to deliver. (If only the English-speaking world were so interested in my work…) This bumps Powerless up a notch on the priority list.
Not to mention I could also sell Powerless to the aforementioned small press publisher. He’s called the upcoming book the first of many we’ll be doing together, which would make me very happy. The artwork on the first book is terrific, and I know he puts out a solid package that could later help lead to a mass market sale.
And oh yes, I still have Muy Mal hanging in the breeze, The Malice Engine outline to turn into either a graphic novel or novel, and two novels that I’m convinced are pieces of shit but could possibly be hammered into something useful.
So, what am I working on? Good question. I’ll let you know when I figure it out.