The Bane of Comics Writing

It’s just after 10pm. I’ve had a damn long day and I’m ready to pass out. The Wife’s watching tennis, which isn’t helping my struggle for consciousness. All I want to do is go to bed, but I’ve got 20 tabs open in Firefox, all of them aimed at artists’ galleries on DeviantArt.

I need an artist.

I lost count of how many pages I surfed through to find these 20, but I’ve been at it for a few hours now. If I’m lucky, a few of them will be worth contacting, and one of them will be willing to work for the terms I’ll be able to offer.

If I’m lucky.

I used to say writing for comics was easier than prose because I can bang out script a lot faster, and editing is faster still. Taken as a whole, however, the job of writing for comics is a pain. If I want to sell a novella, it speaks for itself. If I want to sell a comic, the first question people ask is “Who’s the artist?” Even if I’m sold on an artist, I have to turn around and sell the artist to the publisher, too.

Then I get to hope the artist doesn’t flake out the following week.

But damn it, I love the medium, and it’s a thrill seeing the right artist bring my creations to life is beyond thrilling.

Sleep is for the weak.

About Mike Oliveri

Mike Oliveri is a writer, martial artist, cigar aficionado, motorcyclist, and family man, but not necessarily in that order. He is currently hard at work on the werewolf noir series The Pack for Evileye Books.

No comments

  1. Noah L says:

    Good luck on your artist search. If nothing else, you may be able to find artists on who specialize in horrific things–it IS a site for sci-fi/fantasy art, afterall. SOMEONE should be able to draw something gruesome :P

  2. Mike says:

    It’s worth a shot! Thanks for the link.