The Canon EOS 450D (aka Digital Rebel XSi) has been formally announced, and it shall be mine. (Provided it doesn’t come with Rosie Perez’s voice.*)
I’ve been wanting a digital SLR for a long time. I’ve used an old 35mm camera in the past, and I really enjoyed it compared to using a point-and-shoot digital. Looking through the lens gives you better control of the shot, including the framing and focus. My 6-year-old Canon PowerShot G2 was top of the line in its day, but now with its stuck pixels and its focusing frustrations, it’s time for an upgrade. The nice thing is with the changing technology I can buy a much beefier DSLR for the same price I paid for the G2.
I’ve been watching Digital Photography Review for more information, and they didn’t disappoint: they’ve got a brief hands-on with the 450D and a summary of differences between it and its predecessor, the 400D/Digital Rebel XTi. It looks like Canon’s packing in some solid features, and that’s got me drooling all the more. I read somewhere that it doesn’t ship until April, but if I’ve been waiting over two years to get my hands on a DSLR, I guess I can wait two more months.
The question, then, is will the investment result in better pictures? I sure as hell hope so. If nothing else I’ll have a lot more fun taking pics. Of course, judging by what I saw out of my friend Richard’s Rebel and Speedlite, the softened flash alone is worth the price of admission. I’m sick to death of blown-out faces and subjects’ uncontrollable blinking in my pics.**
The first step to improvement will probably be jumping into the Digital Photography School forums. It looks like there’s a lot of great advice flying around in there, and it’s a lot faster (and cheaper) than trying to take a photography class at a local community college.*** DPS also has a great blog with some cool tips.
With photography more on my brain than ever, I’ve started thinking more about digital workflow. I’ll need some processing capability for RAW no doubt, which means some extra software for the GIMP on my Linux box. Of course, if I do make the Mac switch, that will change things significantly. It’s a little premature to be worried about the Lightroom vs. Aperture debate, so instead I turned my attentions to iPhoto on my MacBook and compared it to digiKam on Linux.
If there’s one app that I think I’d truly miss in Linux, it’s digiKam. Both it and iPhoto perform the same function: importing and organizing your pictures. They both allow easy sorting and importing, and they both support tagging. iPhoto’s presentation is a little bit cleaner, but feature-wise they’re more or less the same.
The key difference is in the back ends, and maybe some of the Mac folks can speak up here.
What I like about digiKam is it drops pics right into the filesystem. If I need to find my pictures in any other application or through a file browser, I know right where to find them because the albums are a mirror of the folder hierarchy. If I change the names of the picture files on import, that name is applied to the file name, replacing vague camera filenames like IMG98939.JPG. The added benefit here is if for any reason I lost the digiKam database with my tags and such in it, my files are untouched. If I have to access the drive remotely (via SSH/SCP, which I do often) or have to recover files with a drive enclosure or similar method, I have a good idea of what I’m looking at.
iPhoto, on the other hand, drops everything into a package of some kind. The files appear to be copied to the filesystem, but it looks like the titles are only part of the iPhoto Library package and database. I did figure out there are both Original and Modified folders inside the iPhoto Library package, and there are folders for year and then Event, but the image filenames are still IMG884737.JPG. Having an automatic backup if I edit a pic (an untouched original and the new, modified file) is not a bad idea, but does this not take up extra space?
How will this affect remote access? If I use SSH to access a Mac, or if I connect via SCP to copy a handful of pictures to a remote computer, am I going to be able to browse — via the shell or a SCP GUI like WinSCP — to my pictures and copy them? Am I going to have to upload pics to Flickr and fetch them from there? Or is there some other Apple sharing method that I may not be aware of?
And most importantly, if my darling rugrats shove my Mac off a table and shatter it, am I going to be able to access my pictures — and recover tags, titles, and other data — if I yank the hard drive and drop it into an enclosure?
Why does iPhoto do it this way? Inquiring minds want to know.
*For those of you who don’t have rugrats, Rosie Perez is the voice of Click the Camera on Go, Diego, Go! And she sings. It’s truly the work of the Devil.
**I have about a tenth as many pics of my wife as I should because she can’t keep her frickin’ eyes open. If I show you a good shot of my wife, chances are it was taken outside in broad daylight in the middle of summer. As a result she’s probably wearing sunglasses, too.
***I tried to take the photography class when I was in college, but the single section offered was always filled within about 6 nanoseconds of the start of registration.
About Mike Oliveri
Mike Oliveri is a writer, martial artist, cigar aficionado, motorcyclist, and family man, but not necessarily in that order. His Bram Stoker Award-winning first novel, Deadliest of the Species, was just reprinted by Evileye Books.