And we have liftoff! The Pack Book 2: Lie with the Dead is now available in trade paperback.
Today my contributor copies arrived, too. Man it’s nice to have this one out there at last.
Hope you dig, folks.
And we have liftoff! The Pack Book 2: Lie with the Dead is now available in trade paperback.
Today my contributor copies arrived, too. Man it’s nice to have this one out there at last.
Hope you dig, folks.
The article “From bestseller to bust: is this the end of an author’s life?” by Robert McCrum over at The Observer sounds kind of scary at first: a couple of award-winning literary darlings have fallen on hard times due to the changing face of the publishing industry.
Then I considered the stories of the first two authors McCrum sites as examples. The first, Rupert Thomson, is clearly living beyond his means. The second, Hanif Kureishi, was “swindled out of his life savings.”
Are these sad stories truly the fault of the publishing industry? Either situation could easily befall anyone in any job situation. A McDonald’s employee could be swindled out of his life savings, too. Or consider the number of professional athletes who are bankrupt within just a few years of the end of their career. Consider the number of Hollywood celebs who find themselves in the gutter after their big break doesn’t pan out.
The gravy train is not a perpetual motion machine.
Yes, the publishing business can absolutely be fickle. Readers’ attention spans are short and shelf space (or prominent screen space) is finite. Editors change. Publishing houses merge or fall. Oprah’s Book Club will always have a new selection.
Writing sounds like a glamorous career, but it’s also a job. Like any other job, its situation is subject to change.
I don’t doubt these writers are intent on keeping up their word counts, but what are they doing outside of the actual writing? Get deeper into the article, and there are the usual woes of social media, self publishing, and Amazon. Are the authors leveraging these tools themselves? Or are they just waiting for an editor to come along and do it all for them?
It’s the creator’s job to stay relevant, not the industry’s job to keep him there.
The article then goes on to take a shot at the “information should be free” trend and the Google Print Initiative, and their combined threat against copyright. I get why some authors and creators aren’t fans, but again, times change. Situations change. Sure, it sucks when books show up on torrent sites. When books (and movies and music) are easier to publish, they’re easier to pirate. Does that mean give up? To pack it in? To not take advantage of Amazon’s incredible reach (while it, too, lasts)?
Pandora’s box has been opened. When the refrigerator was invented, the ice delivery guy had two choices: starve to death while cursing new technology, or find new uses for his delivery truck.
Adapt or die. This is also a time any one of these authors can take direct ownership of their work and not rely on a middle man. This is a time they can reach more fans than they ever could before, whether through direct social media interaction or a simple electronic newsletter. Writers today can be their own publisher and publicist. The job has evolved.
Finally, awards don’t mean shit, son. They may raise an eyebrow here and there, but in the big picture they’re just another blurb to put on a cover or in a cover letter. Awards translating into piles of cash is a public perception, not an insider’s reality.
Pick a successful creator in any medium. There are more than a few creators someone might point to and say, “he got lucky, he met so-and-so at the right time.” That may be true, but you know what? He was also hustling when so-and-so found him. He was working.
It’s natural to be jealous of success. It’s okay to feel sorry for great creators who have fallen on hard times. Just remember, when it comes down to it, their job is still just another job.
From today through Monday, March 3rd, Winter Kill is free on Kindle!
This new edition includes a preview of Lie with the Dead, which will be released early next month.
This edition of the book has a new format, a new cover, and an excerpt from the sequel, Lie with the Dead, which is due out in early March. In fact, I’m told my contributor copies will be landing at my doorstep any day now.
If you’re new to my work or my The Pack series, Winter Kill is the first book and this is the ideal jumping-on point. If you’re a digital reader, stay tuned next week for more information on this new Kindle edition of Winter Kill.
New readers can also get a taste of the series by reading the first The Pack short story, “Bravo Four”, for only 99 cents on Amazon, or by checking out the short comic “Big Bad Wolves” on Indie Pulp. “Bravo Four” takes place several decades prior to Winter Kill and is set during the Vietnam War. “Big Bad Wolves”, meanwhile, leads into the events of Winter Kill.
And on that note, expect news on the next The Pack short story in the coming weeks.
The only downside to the new edition is we have a new ISBN, and thus a new product page on Amazon. As a result, our reviews aren’t listed on the new page. If you’ve read and enjoyed Winter Kill, I’d greatly appreciate it if you posted a review on the new product page.
Here’s a taste of previous reviews:
In the end, it’s the same great book, it just has a new face and some bonus material. I hope you’ll check it out.
After some questions from other writers, I thought I’d expand on my “Why I Love Evernote” post to discuss how I actually use it to help with my writing projects.
The key to remember here is your mileage may vary. There may be things about Evernote I love that don’t work for you, and you may discover things I wasn’t aware of or had no use for. Dive in, play with it, and make it work for you.
Also, keep it simple. “Ubiquitous capture” and the lack of traditional computer metaphors like files and folders can be daunting at first, but once you get a handle on how Evernote handles notebooks, notes, tagging, and searching, things get pretty easy.
So let’s break it down and use my The Pack series and notes as an example.
1) Create a Notebook
It may help at first to think of notebook as folders, but the metaphor here is imagine you just purchased a shiny new paper notebook you’re going to write in and stuff full of pictures, newspaper clippings related to your project. It’s both notebook and scrapbook, in a sense.
An Evernote notebook, then is your first order of sorting. In the future you can share it with an editor or a collaborator, but in the meantime it’s the place you’ll dump everything related to that project. The default notebook is enough for some folks, but I just use that one for day-to-day things. I have a Recipes notebook, a Karate notebook, a notebook for the day job, and one for every major project I’m working on.
Everything from here on will have been created within my “The Pack” notebook. I could feasibly create one for every novel, but it’s a lot handier (to me) to group everything related to the series under one notebook.
2) Create Notes
Click “create note” and you’re off and running. The beauty of notes is they can include several types of content. Text is most common, of course, but I can also drag in photos and other media. Tables, lists, and checklists are available when needed, and with the indents and lists, you can build a traditional outline.
If you’re the type who likes voice notes, Evernote can handle this, too. Dictate into the Evernote app on your phone, for example, and it will be available everywhere you have Evernote installed or via the Evernote web app. Want to make dictated notes searchable, or transcribe to text? Check out Quicktate or Voice2Note. I don’t use these, but as I said, YMMV.
Here are the types of notes I use most often:
Character Dates and Timeline
This note is simply a master list of important dates and a timeline of events. The novels Winter Kill and Lie with the Dead occur about six months apart, but the events in the first Pack short “Bravo Four” take place decades earlier during the Vietnam War. Events from the Call of the Wild comic series have an impact in the prose series. There are references to unpublished (for now) events in each story, and of course there is the ages of characters to consider. To keep it all straight, I’ve got each major character’s birth date, their death date where applicable, and at least approximate dates of when each story took place and when unpublished events occurred.
This is where I get more detailed. Winter Kill has a lot of characters, including the Tyler family, at least two sets of villains, and a handful of supporting characters. There are two ways one might approach it: one note per character, like an old-school index card; or one note per group of characters.
I tend toward the latter because I don’t mind if the notes get a bit lengthy. So, I have a note for all of the core members of the Tyler family. I have a note for all of the skinheads in Winter Kill. I have a note for Angie Wallace, a major character unrelated to the Tylers or the villains. Each character’s physical descriptions, their personality, and so on are all included. It’s simply broken down so the character’s name is in bold, and then the paragraphs or one-liners follow.
These notes help keep details straight. For example, if a character carries a certain weapon, it goes in the note so the weapon doesn’t magically change in another book. If a character receives a wound, I make sure I know where the scar is. I might even paste in descriptive passages from each work to be sure it’s always consistent.
In short, it’s helpful for continuity, and it saves me the time of having to flip through published works to verify details later.
Book Notes or Outlines
I have at least one note for each novel in the series, including Book 3. They’re fairly organic, and change as I massage the plots. They might start with a simple breakdown of Act I, Act II, and Act III, or even just a line or two about what I want to accomplish or an overall theme. Some are just brainstorming, and at least one includes a discarded version of a story which I might pick apart for later use anyway.
Over time, they get more detailed. I might have a beat sheet breaking down the book event by event, or even chapter by chapter. Pretty soon, they’re more or less an outline of the book I can use to write from, and they also become useful to refer back to when working on other projects in the series.
Short Story Notes
I have one note that has the synopsis for each of the short stories I’ll be writing for the series over the next few months. I then flesh them out with a separate note to figure out how the stories will play out.
For example, there’s a “Bravo Four” note I used to write from. It’s an outline, and it’s a reference for the future. If The Pack were a comic series, I might even have an issue-by-issue breakdown, a note for each story arc.
These are most often web clippings, but some may be simply photos or other notes. Because The Pack is a werewolf series, I clipped the article “Why everything you know about wolf packs is wrong” in case it might be useful in the future. This way it’s available in searches and browsing rather than lost in a pile of bookmarks or other links. I also have some notes about places and events from the Vietnam War for “Bravo Four”, and I have some other history notes for future short stories.
Everything related to publishing gets a note. I have a note with key reviews for Winter Kill. I have a note listing the ISBN numbers and publication dates of each work, and any relevant Amazon or Barnes & Noble links. They’re small things, maybe only needed once in a blue moon, but they’re handy to keep around.
I also have a note for the editing process of Lie with the Dead. I simply dumped the editor’s notes into a note for quick reference. Once, while sitting in a doctor’s waiting room, I thought of a way to address one of his notes. I fired up Evernote on my phone and jotted those thoughts in with that comment so I could address it later and not sweat forgetting it before I got to a computer.
I also dumped everything from a weekend retreat planning meeting I had with my publisher into a note. Notes we took, things we discussed, and even photos of the whiteboard we used are all still available to me for reference.
Everything else, basically. I do all my brainstorming on paper, so I might transfer those notes into a separate note for later noodling. Other times, the brainstorming notes go into existing notes. There’s no hard-and-fast rule here, because tagging and searching makes where I record the notes irrelevant.
3) Tying Notes Together
There are two ways to do this: tagging and linking.
You’re probably already familiar with the idea of tagging. They’re a simple way to “group” notes without using folders. Character names are an important tag, for example, as are book titles. This way, if I look for anything tagged “winter kill,” I’ll get everything that may be related to that book.
Linking is also handy, and works just like a hyperlink on a website, and in effect can turn your notebook into a wiki. In a plot note, I might include a link from a character’s name to the note containing their description. Or I can link from a plot or character note to one of the research notes. This keeps me from having to reproduce information, or from bogging down notes with extraneous information.
This is the point people sweat keeping everything organized. Forget about it, because the search feature makes all of that irrelevant. It’s very powerful, and will search tags, text within notes, and text within attachments (pictures, and even PDFs if you’re a pro user).
You simply don’t need to sort things into folders because the search will find it for you. Accidentally drop a note into the wrong notebook? No problem, you can restrict searches to within a notebook or open it up to your entire account.
Notes are typically listed by the date they were last modified. This way, the thing you’re working on most at the moment is typically at the top of the stack. It can also sort notes by location if that’s what you’re into by tagging notes with GPS information and showing you a map.
Are you the visual type? Take a look at Mohiomap, an app which allows you to surf your notes visually as a mind map based on your tags. This is another feature that’s not for me, but if you’re a big fan of mind mapping, check it out.
Once you get used to searching over sorting, it’s very liberating. You’re not wasting time organizing things, archiving things, or otherwise performing housekeeping on a fat stack of files. Throw your data in a note and forget about it.
The Evernote app also allows you the flexibility of creating shortcuts to your most-used notebooks and notes. One click gets you to a current project rather than having to go through a list of notebooks every time.
5) The Extras
Wherever I am, whatever device I have with me, if I can get to the Internet I can get to my notes. If I’m going to travel somewhere coverage might be sketchy (a very real possibility for me now that US Cellular has carved up and sold off entire service areas), I can tag certain notebooks as Offline notebooks so I can keep current notes with me at all times.
A Second Screen
I’m not a fan of flipping back and forth between windows, and it’s not always helpful to shrink windows to keep them side by side on a screen. Thus it’s not unusual for me to have a document in progress open on screen, and the notes related to that project open on the iPad or smartphone next to me. It’s a small thing, but I like it.
Reminders and To-Dos
I personally prefer Todoist and Google Calendar for these, but Evernote does have these features built in. You can set a reminder to nag you about a meeting or a deadline. You can create checklists of to-dos in a note, and tie them to reminders. It’s all very flexible, I just find it unwieldy compared to Todoist.
Just Do It!
There’s really no right or wrong way to this, and it’s all very adaptable to your style and personality. Get in there and dig around, start creating notes. If you decide you want to handle notes and notebooks differently, you can drag notes to different notebooks.
It’s all very organic, and all a lot more user-friendly than it appears at first glance. Understanding comes quickly. Learn by doing, and don’t be afraid because you’re not going to lose anything.
If you’re ready to get started, please, use my referral link to set up your Evernote account. I’d appreciate it!
The In the Dark horror comics anthology will hit shelves on April 23rd, but you can preorder your copy today with Diamond/Previews order code FEB14 0452.
In the Dark had a successful Kickstarter campaign around Halloween last year and will be published by IDW Publishing. The backers already have their copies reserved, and now preorders are available to the general public. Simply stop by your favorite comic shop within the next couple of weeks, give the guy behind the counter the FEB14 0452 order code, and you’ll get your copy in April.
Don’t know where to find a comic shop? Check out the Comic Shop Locator Service.
Congrats to editor Rachel Deering on getting this monster anthology funded and published. I’m looking forward to reading it myself!
Next month, a new, remastered Winter Kill will be available prior to the release of the sequel, Lie with the Dead, in March.
What’s changed, you ask? Not a whole lot. The manuscript itself is untouched. Evileye Books is giving Winter Kill a new cover and design to jive with the look of Lie with the Dead and future books in the series. Also, there will be an excerpt from Lie with the Dead included in the back of Winter Kill. Both the print and e-book editions will sport this new cover.
I use a lot of apps, but Evernote has become the single app I’m not sure I could replace. Word processors, task managers, and social media apps are all fairly interchangeable. Operating systems? I have my favorites, but they don’t much matter in the end. Even the device isn’t very important anymore.
Not so for Evernote. Sure, it has competitors offering some of the same features, but it’s so entrenched in my workflow, and I have so much data stashed in its cloudspace, that it would be difficult for me to migrate away from it, even if I wanted to. I have a premium account for the extra features, but I’m also happy to pay up to ensure they’re not going anywhere.
The following video sums up the basic idea and features. Check it out, and then I’ll get on to how Evernote’s been useful for me in so many ways.
Now let’s talk about why you might want to sign up.
I Use It For:
The Day Gig
I juggle a lot of information in the day job, and there’s not a lot that doesn’t find its way into Evernote. Software manuals and instruction booklets can be stored on several services, but Evernote makes them searchable, lets me tag them, and lets me add my own notes. The extensive federal paperwork I have to fill out every year goes into Evernote, along with all of the notes, dates, and filing information that goes with it.
It also makes a great repository for software license codes and activation keys. For a while I’d type in anything I couldn’t cut and paste, but now I just take a picture of the keys. For example, when we purchase interactive whiteboards, there are activation keys on both the board and the CD case. A couple of taps and a photo of every new key is added to the same note as the others.
Separately, I make extensive use of Evernote Skitch to mark up screenshots for passing instructions and tips along to coworkers. With Evernote integration, I have those same notes and annotations to share again later.
This one should be a no-brainer. I record it once, I keep it forever, no matter the subject. If I’m shopping for something, I can snap photos and take notes about pricing and/or features. If it’s a newspaper or magazine article, I can snap a photo and Evernote will make its text searchable.
This is also where the Evernote Web Clipper comes in handy. Web articles, blog posts, Wikipedia entries, and more can be saved and tagged with a couple of clicks. Just yesterday I grabbed an io9 article on powering a starship with an artificial black hole for possible use in a writing project.
There are a handful of print fitness magazines I’ll pick up from time to time, but my shelf space is far too limited to keep them around to look up a workout routine once in a blue moon. In those cases I’ll scan and tag the article and slide it into Evernote.
It works the same for digital magazines on the iPad. Whether I’m reading them in the Kindle app or Apple iBooks or Newsstand, a screenshot works as well as a scanner, and Evernote filing is handled on the same device.
Even better, I don’t have to think about them anymore. Magazines go forgotten on shelves, but if I search for “bench press” in Evernote, it’ll turn up a handful of useful articles I’ll have forgotten about.
This is how I hooked The Wife. She has a cabinet full of recipe books, magazines, and hand-written cards from her mom or her friends. I do most of the cooking these days, and I can never find the right books. If we go shopping, we would inevitably forget an ingredient or two.
With Evernote, I snap a picture of our favorite recipes. They’re instantly available when I’m cooking, and if we’re at the store and suddenly decide we’re going to make shrimp chowder, I can pull up the recipe right there. I’ve used Web Clipper to collect several new recipes, too.
Now The Wife has an account, and I’ve shared the entire recipe notebook with her. She can browse them on her phone, or she can add to our collection.
This is where the workflow gets a little strange because I take notes by hand at first. I’d love to use an Evernote Notebook by Moleskine, but my handwriting is way too messy for Evernote to make any sense of it, especially when I’m writing in a hurry in class.
Taking a few minutes to retype them, however, is worth the time. I have research, history, kata breakdowns, judo articles, and more piled up in there, and I often include links to videos I’ve stashed on YouTube for reference. As such, it became an invaluable study guide for my black belt test last March, both for the written test and the board exam.
We also have a class where my instructor has a handout from time to time. We have a binder we keep for these papers, but scans or pictures of these, too, go straight into Evernote. Instead of digging up the binder, I just pick up my phone.
And now we have the big one. Aside from the writing itself, there’s not much I don’t do in Evernote (though there’s no reason I couldn’t write in a note if I chose to). Let’s just make a list:
I’m also using Evernote to collaborate on a project. We have a small pile of notes and reference material in a shared notebook. We’re gearing up to do the actual writing in Google Docs, but Evernote is better for organizing the rest of the material.
I Don’t Use It For:
As much as I love Evernote, there are some things I prefer other apps for. Most notably, I use an entirely different task manager, as Evernote’s task/todo list is a bit unwieldy for my taste. And I haven’t used its reminder feature much because Google Calendar is faster and easier.
All in All:
Evernote rocks. I love it, and at the day job I encourage the staff and students to check it out. There are more uses for it, and there are more videos and articles about those uses than you can possibly keep up with. Project management, going paperless, research, running a business, the possibilities are endless. There’s even a private investigator using Evernote for case management and field work.
If you think it’ll help you, by all means, sign up for an account.
“Lie with the Dead,” the second installment in Mike Oliveri’s werewolf noir series, “The Pack,” will be released in March, following the release of a revised edition of book one, “Winter Kill” in February.
“Lie with the Dead” continues FBI special agent Angela Wallace’s search for answers about the mysterious Tyler clan and the bloody aftermath of the shootout with gun runners that left her recovering in a hospital. In book two, the trail leads her to a deserted mining town in Nevada where, once again, she finds herself fighting for her life against unseen enemies hellbent on keeping secrets buried.
“Lie with the Dead” will be released in trade paperback and digital editions.
This has been a long time coming. I’m excited, folks!
This morning, I posted the following on Twitter:
To me, a comic script is more like a conversation with the artist. I tell him or her what I need, and their response comes via the brush.
— Mike Oliveri (@MikeOliveri) December 13, 2013
It prompted a further conversation with a friend about how I handle scripts, so I thought I’d expand on it here.
Let’s get the obvious difference out of the way first: with a script, it’s more about art direction than painting the picture itself. Prose can create atmosphere and mood and paint a picture in a reader’s head, but in most cases, the only people reading a comic script are the artists and editors. (And I will say here, “artist” includes penciler, inker, colorist, and letterer, sometimes even the cover artist and the book designer. Anyone doing anything you actually see in or on the book? Artist.) There’s no need for all that detail, and aside from dialog, there’s a lot less laboring over word choice and sentence structure.
That said, the writer should accept the fact his art direction may be limited. Sure, I can drill down to camera angles and hyper detail, but a good artist can usually do all of that better. This is where the conversation comes in: I explain what’s happening, and he (or she) shows me how to best present it to the reader. If I get to see layouts and thumbnails, great, that’s a conversation. If it’s someone I trust, they may go straight to work, and their response is still via their brush.
It’s also important not to put ridiculous demands on the artist. The comics page is so big, and the artist only has so much room. When he’s done, the letterer has even less room. Cramming a massive crowd scene or a long conversation into panel six just isn’t going to happen.
Understand, too, that comics are single frames of action. When scripting, the writer has to be aware of spatial relationships between characters and/or objects. An artist can draw a character walking and chewing bubblegum at the same time, but he can’t draw the character running across a room to a table and snatching a knife off the table in the same panel. If the artist cheats it with a blur or similar effect, it looks like the character’s running at super speed. If he just draws the guy with the knife on the other side of the room, it looks like the character teleported.
In the end, this changes the language of the script. In prose, one might say, “Jimmy sprinted across the room and snatched the knife of the table.” In comics, I’ll break it into two panels:
I might get a little flashier to convey feeling or extra detail (is Jimmy scared or angry?), but the idea is these are in present tense. Jimmy is doing this. Jimmy has done that, thus is doing this. If we previously established the knife is on the table, we know what Jimmy is running for, whether or not the artist decides to show us the knife in the running panel. In panel 2, a simple motion line can show the snatching of the knife, or the artist might even break it into an additional panel with Jimmy grabbing the knife and then turning back in a third.
Finally, don’t be a dick. The script is not written in stone, nor so precious that it shouldn’t be deviated from. All I ever ask is my artists not alter my plot or dialog. If he wants to rechoreograph an entire fight scene, cool. Just don’t kill a different character. If a page of conversation is too boring and full of talking heads, and he condenses it into two panels, then I hope he left room for all the dialog that went with it.
That’s my take, anyway. The easiest way to learn this is to collaborate with an artist. They’ll tell you what they need to know, or what does and doesn’t work, because they need the book to look good, too. If the artist ragequits and goes back to work at Home Depot, then you definitely asked for way too much and need to back off.
“All Things Through Me” is a short horror comic which will be part of the In the Dark anthology now seeking funding on Kickstarter. When editor Rachel Deering posted this page to Twitter, it quickly racked up several retweets, favorites, and excited replies. It’s good to see people as amped about this project as I am.
There’s a whole lot of talent going into this book. Back the project today! You won’t be disappointed.
My first appearance on Shotgun Honey went down two years ago with “Tweet Tweet, Little Twat”. It felt good to flex those flash fiction muscles again, and I can think of no better outlet for flash crime than SH.
I’m going to have to make sure it’s not another two years before my next appearance.